Find Out if Someone Is Using My Art or Words
A film may exist worth a thousand words, only unless you can articulately describe it, the average person won't buy it.
When selling your art, the verbal description is just every bit important as the visuals. Thorough, thought provoking descriptions are an essential slice of the selling puzzle. These descriptions tell the boilerplate person more about the piece.
Supposing you studied fine art and its history in a formal setting, and then you lot probably learned the proper way to describe your artwork. Mainly, the visual elements including class, composition, medium, techniques, and subject matter.
Unfortunately, these formal descriptions don't interpret well for the average person. They'll empathize very piddling about your artwork which won't translate well for you lot in terms of sales.
Your duty as a successful artist is to not simply make a person experience through your work, just also make them feel through your words.
For the average person to understand your creations, you must describe your own art with more of a marketing approach. Y'all must describe its features and benefits to make a connectedness between your art and the average person in order to brand a sale.
Tips for Describing Art to the Boilerplate Person
Describe your artwork every bit if you lot were talking to someone who couldn't see information technology.
Pretend the boilerplate person is blind. They tin can't see anything. Non fifty-fifty shadows. Just because they're bullheaded doesn't hateful they can't apply their iv other senses to experience your artwork.
Suppose y'all were trying to draw your painting of a bunch of stars. Instead of describing the color, describe how the stars would feel.
To accomplish this, tell your prospect that in order to experience stars they should put their hand out when it'south raining. So, they can experience the lilliputian points fall down on their palms. Because pelting falls and so chop-chop it has the effect of 'twinkling'.
The average person will go strongly continued to artwork they can feel using their imagination.
Describe the mood of your artwork equally well as the visual characteristics.
Mood is an internal and rather subjective emotional state. Grammatically speaking, mood is a feature of verbs that's used to indicate modality. There are several types of grammatical moods including indicative, interrogatory, imperative, emphatic, subjunctive, injunctive, optative, and potential. Every bit an artist, you'll want to grammatically draw the mood of your artwork using the indicative type. This blazon is used for factual statements and positive beliefs.
As y'all know, the visual characteristics of artwork are lines, colors, values, shapes, textures, infinite, and movement. To draw them, you lot must think across direct or curved, cherry-red or orangish, light or dark, circular or square, striped or polka dot, shallow or deep, and small or large. Instead, you lot must talk about these characteristics using much more descriptive adjectives.
To describe the mood and visual characteristics to the average person, ask yourself these questions:
- How does its ambiance feel?
- What undertones does it evoke?
- How does its essence effect your spirit?
The average person will become enchanted with your artwork when you talk nigh its mood using descriptive adjectives.
*If y'all have trouble with this, ask your friends to draw their feelings well-nigh your artwork using descriptive adjectives.
Always mention the colors, but make sure you use words that describe the colors and their effect.
For instance, dark-green is the color of grass, the leaves of trees, and seaweed. Green represents growth and healing. Cherry-red is the color of blood, roses, and hot chilis. It'due south a very passionate color. Red tin mean anger or desire.
Utilise words such as lustrous, shadowy, radiant, glossy, and saturated when describing colors. These words clear the depth of the color.
The average person will come across your artwork in a unlike light if you describe it using words that connect your artwork to the smell and feeling of everyday objects.
Put yourself in the mindset of the average person.
The average person knows picayune about fine art and your fine art-making process. For them, it all boils down to dollar bills.
The bad thing about the boilerplate person is that they earn money by doing things they don't love. They have a lot of bills to pay. They don't take the luxury of being creative. They don't have a lot of money to spend on art.
But the cracking thing about the average person; they run into money through the eyes of emotion. If they want something bad enough, they'll find a mode to get money to buy what they want.
What you take to do is create that emotional connection between your artwork and the boilerplate person.
Remember nearly how you lot can make them FEEL your artwork with words.
The boilerplate person isn't looking for a landscape painting filled with farmland and barns. Their soul'south yearning for a striking piece of artwork for their entranceway that'll greet visitors with a warm smash of dazzling sunlight which conjures their memories of the many summer times they spent on grandpa'due south subcontract. Consummate with the intoxicating smell of a freshly cutting hayfield, and the glistening golden blades of hay.
The average person tin feel artwork if it's vividly described, creating an unwavering emotional connection.
Art isn't passive. Utilise action words to depict it.
Richard Serra once said, "Drawing is a verb." Using only sheets of newspaper, he created a listing of the infinitives of 84 verbs including to coil, to crease, to fold, to shop, etc. This listing likewise provided 24 possible contexts within which these verbs could be used including of gravity, of entropy, of nature, etc. Serra described this list as a series of deportment related to the artist and the creative process. He used it to guide himself while creating in multiple mediums.
To determine which activeness words to use when describing your artwork to the average person, ask yourself these questions:
-What does the slice exercise?
Perchance information technology charms and inspires.
-What'll the boilerplate person exercise with information technology?
Perhaps they'll luxuriate in it.
-Does information technology brand a statement?
Perhaps it creates a serene atmosphere.
The boilerplate person isn't passive when it comes to buying fine art. They either love it or they don't. Draw your creations using action words so the boilerplate person will accept activity and buy your art.
The use of words to describe artwork is completely subjective, and artwork may hateful unlike things to different people. However, with effort, imagination, and exercise, you tin can give the average person a more than lively and interesting experience while viewing your fine art.
Autumn Tompkins is the owner/lead writer for ink well copy. She's a blast-biting, Southern Comfort-loving, poker-playing, gamble-seeking, animal-adoring, tattoo addict who has a way with words. Writing to increase your acquirement is her passion. You lot can find out more about her at InkWellCopy.com
Editor'due south note: This mail service is an extremely useful tutorial on describing your art in words. In addition to this skill, information technology is equally important to understand when information technology'south advisable to outset selling and how your body linguistic communication affects your chances of a sale. Check out our posts on what artists can larn from a door-to-door salesman and how your body language can assistance you lot sell more art.
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Source: https://theabundantartist.com/five-tips-for-describing-your-artwork-to-the-average-person/
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